Writing Along

Getting some good writing in these days. I am so close to finishing my novel I can taste it. I mean, really I should be writing that right now, but you know, I need a bit of break. Once I'm done with this last chapter I do wonder if I'll need an epilogue chapter? Probably.
Along with that I am helping my wife write a paper for her History of Photography class on Daguerreotype. Mostly just with research and encouragement. Interesting subject though. Technically the guy worked on it with a bunch of other guys in France and what not but he decided to name the technique after himself.
So I'm doing that and some other stuff. I recently finished with my third, I think it was my third, miniature notebook.  So I'm onto a new one and that is great! The fresh pages just waiting to be filled with innovative ideas. Its great. Also going to be drawing some great little illustrations for the season. I really have to get out and buy some illustrating board from Hobby Lobby. Things are going good and I'd like to keep it that way! Trying to post here with interesting stuff as possible. More good stuff soon.

Different Setups for Stories

So, as a writer of many disciplines I often do quite a bit of research on many subjects. I find it quite necessary to know the many ways to concoct a story structure depending on which type of story you are working with. Whether it be, sequential art stories, prose, verse, screenplays, or stage plays. So here is a look at the different setups for stories in sequential art:

DIFFERENT SETUPS FOR STORIES

MINISERIES- A story or comic with a predetermined number of issues. Has two specific rules to adhere to.
                1. Have enough story for the allotted amount of pages allowed each issue. Have time for rewriting.
               2. Must be a change, development, or reverse in every issue until a climax is reached, then dénouement. Keep the story moving!

GRAPHIC NOVEL- A story in which many things happen, and many characters exist. Must keep moving up and up constantly. The reader must be constantly fed new information to help further understand the world in which the graphic novel lives.

MAXISERIES- Should have a unifying theme and continuity of plot. Must reach a conclusion that answers all plot and character questions, ties all elements together despite diversity. Doesn't have to be tightly plotted as a novel, stories can be diverse and unconnected but must tie in at conclusion. Usually twelve issues long.

ONGOING STORIES- The sort of traditional tips of comics. Deal with problems of continuity and continued stories. Three ways to write continuous stories in an ongoing title.
               1. Story Arcs- The twin of miniseries so to speak. Arc is a part of continuum though. Must have enough plot for allotted number of pages. Reintroduce characters and locales. Have fully outlined plots.
               2. The Levitz Paradigm- A grid like format that helps track main plots and sub plots in a single ongoing title or many titles. See p.101 of The DC Comics Guide to Writing Comics by Dennis O'Neil.
              3. Chart Form- A form in which many titles with the same character involved; helps track the plots and sub plots dealt with in each separate title to tie in with the one main plot.

MEGASERIES- A long continuity which stars a single set of characters and appears in several titles. Falls back on the old three-act-structure. Outline for story should be at least twelve pages long. In addition to the main plot there are usually a dozen other subplots. Should have narrative explaining the story in each issue. Every scene should point to a climax and no page wasted. Story must justify the space allotted to it.

Finding the time

Lately I've been finding a better way to use my time wisely. Since my mind is always so concentrated on so many different projects at a time it helps me now that I carry around this little grey notebook. I've been able to draw, write and read more efficiently. It's like finally my brain always has a place to put the ideas that flee across it in the passing hours. Because usually my mind is bouncing so much between all the thinks I want to do I often lose track of what it was I was thinking at from one moment to the next. 

I've been able to write down the scenes I'm thinking about for my novel every time I think of them. In able to sketch out quick ideas for my comic or for my random illustrations. It's great! Try it out. 

Getting to work

Getting more work done on my novel. Hoping to complete it this year and to actually start doing the hard part of finding publication. 

New essays on masculinity and other topics coming soon!

Story Structure

So in my desire to become a better writer and artist I am always searching for the best reference material and books out there. Some great books that have helped me are: The DC Comics Guide to Writing, Story, Writers on Comics Scriptwriting, How to Write what you Want and Sell what you Write. All of these books are invaluable to me in my writing, along with the classics and books from my favorite writers. In the spirit of free learning I figured I would share some notes here on the blog that I've made based off of my research in these books. Here is just a bit now, what I hope to do is keep sharing my notes on writing to not only reinforce them in my head but to hopefully help any would-be-writers out there like myself. Even tho I've self-published I am still looking for that mighty feeling one gets from being a writer working for a nice publishing house, here's to hoping and please enjoy the beginning of these notes! Thank you!

PART ONE: STORY STRUCTURE

The Elements of a story- a beautifully told story is a symphonic unity in which structure, setting, character, genre and idea meld seamlessly.

Terminology of a story design- 1. Tell a whole story
                                                   2. Only select a few moments
                                                   3. Tell present story while life story is also told

Structure- 1. A selection of events from the character's life stories that is composed into a strategic sequence to arise specific emotions to express a specific view of life.
                 2. Compose events to flow one after the other.